Hello everybody!
Today’s post, including pictures of our
fine digital pianos, is dedicated to their unique visual designs and
appearance. Throughout last few posts we have gone through what the digital
pianos are made of, and what they are capable of – and I’ve decided that, after
a number of posts have gone without any decent visually catchy and satisfying
images, now is the time to also offer some visual insight of our quality
instruments; in the hope that it would provide glimpses of what they actually look like, and how it would match your
interior.
The SGP-500 and GPR-2200
Though one may be surprised to find out
that there are such things like ‘grand’ digital pianos that are in existence, considering
that digital instruments do not need the specific designs of acoustic grands in
order to produce sound, there is no saying that there should not be one! For
those of you that prefers more fancier and eye-catching designs for your living
place, Dynatone also offers the grand variants of its primary two models in the
SGP-500 and GPR-2200.
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| SGP-500 |
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| SGP-500 - lid closed |
The SGP-500 is the grand variant of the
SDP-500, with the same specification, but in a very original look of a ‘slim’
grand. The refined and sharp case of the piano gives an atmosphere of naturalness,
its resemblance to a grand piano that of nobleness, and yet its tiny size
compared to that of acoustic grands allows it to be placed on casual home
interiors. It is an interesting and unique design, completely original – an
acoustic grand would never be possible in this size. Its functions and
utilities are controlled by the button placed on the left. Its body, where
strings would be laying had it been an acoustic grand, are covered by a wooden
plate, the type that is used as the sound board of acoustic pianos.
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| GPR-2200 |
The GPR-2200, on the other hand, is thrived
from the DPR-2200H. The model comes in a fine grand piano design, its size
resembling that of a baby grand, a broader gesture of refinement and nobleness.
It also comes with almost exact the daring specifications and wide choice of
utilities of the DPR-2200H, besides a couple of small differences. The keyboard
used in the GPR-2200 is, unlike its counterpart, not the ARHA-keyboard. Also, the
body of the GPR-2200 is polished, whereas the original DPR-2200H comes in as a satin
model. It is designed so that the appearance of the instrument would equally
represent the daring capabilities of the instrument – a remarkable piece of finely
crafted musical accomplishment.
